Written by Jess Fullagar
Tuesday, 12 February 2008
The French kicks´ progress and consistency is what’s best about their new album Two thousand. A combination of the Cure, the Pixies, and other contemporary indie rock styles, this album is a good combination of highway tunes and chill out alternative music sessions. The guitar strums coordinated with other interesting music instruments gives this Melodic post punk album even more flavor, add Nick and Matthews harmonious soothing vocals with contrasting pitches, will have you listening to inspiring tunes that will keep you singing even when the songs are over. ¨Knee high¨ for instance, has a relaxed beat, yet the sound as a whole is enthusiastic: protagonistic and catchy guitar strums, beautifully pitched voices, and inspirational lyrics and beats. ¨Cloche¨ has appealing sounds surrounding the guitar and the song sounds striking with the melodic high vocals- full of life and emotion. All of the instruments in this album have a voice and harmoniously take part of the message the songs contain. Two Thousand is uplifting, and these musicians show us how an album can be filled of great songs each and carefully made to perfection, making a CD purchase worth every penny.
Wednesday, July 30, 2008
Tegan and Sara - The Con
Written by Mariam Nasiri
Tuesday, 12 February 2008
My first reaction after I gave the album a listen was, “What did I just listen to?” The vocals were not the type I had been used to, the melodies were executed very strangely and the lyrics are vague. But then I realized that that is a good thing. I had never heard any of their previous albums so I have nothing to compare them to. It is actually refreshing to hear their voices, either as a duo or solo. It’s nice not having lyrics that are blatant and upfront, but rather, ones that you really have to sit down and think about (and you still may or may not get them).
Sometimes people try really hard to be different and they end up just looking obnoxious. This is not one of those circumstances. It’s a very different album that will most likely be very Hit or Miss with people (a matter of personal preference). It’s a simple album, the instruments aren’t over-the-top and it’s very relaxing. I really enjoyed it.
Tuesday, 12 February 2008
My first reaction after I gave the album a listen was, “What did I just listen to?” The vocals were not the type I had been used to, the melodies were executed very strangely and the lyrics are vague. But then I realized that that is a good thing. I had never heard any of their previous albums so I have nothing to compare them to. It is actually refreshing to hear their voices, either as a duo or solo. It’s nice not having lyrics that are blatant and upfront, but rather, ones that you really have to sit down and think about (and you still may or may not get them).
Sometimes people try really hard to be different and they end up just looking obnoxious. This is not one of those circumstances. It’s a very different album that will most likely be very Hit or Miss with people (a matter of personal preference). It’s a simple album, the instruments aren’t over-the-top and it’s very relaxing. I really enjoyed it.
Billy Talent - Billy Talent II
Written by Jess Fullagar
Monday, 06 November 2006
When talking about Billy Talent, the term mainstream would probably never come up. Maybe that is why I like them. Their music is full of confusion. Ben Kowalewicz, the band’s singer, has a strange, yet addicting voice. He has a considerable vocal range which is constantly changing. The chants in the back round are a trademark of this band, led by Ian D’sa and Jon Gallant, and their catchy choruses are constantly stuck in your head. As far as the album is concerned; it begins with “Devil In A Midnight Mass” a catchy, fast paced, opener. The verses are reminiscent of the previous cd, which is quite a compliment to fans of Billy Talent. The second song, “red flag”, begins with an over powering, almost cliché, yelling chorus. This song is not one of their best; in fact it hurts me to hear this chorus. Next is the track “The Suffering”. It’s powerfully gripping lyrics drew me in and the dynamic guitars which almost even remind me of a hit from their first cd “line and sinker” set the mood for a great song. Perhaps the most mainstream song on this cd; and even one of the better songs, would be track #5 “pins and needles”. It is a slower song which does pick up towards the middle but seems to be the best song on the cd. The rest of the songs are decent, making this a well-rounded disk; only the intros seem to sound mostly the same. One exception is burn the evidence which is an addicting ending to this all- together good album. Recommended Tracks: Track #5: Pins And Needles
Monday, 06 November 2006
When talking about Billy Talent, the term mainstream would probably never come up. Maybe that is why I like them. Their music is full of confusion. Ben Kowalewicz, the band’s singer, has a strange, yet addicting voice. He has a considerable vocal range which is constantly changing. The chants in the back round are a trademark of this band, led by Ian D’sa and Jon Gallant, and their catchy choruses are constantly stuck in your head. As far as the album is concerned; it begins with “Devil In A Midnight Mass” a catchy, fast paced, opener. The verses are reminiscent of the previous cd, which is quite a compliment to fans of Billy Talent. The second song, “red flag”, begins with an over powering, almost cliché, yelling chorus. This song is not one of their best; in fact it hurts me to hear this chorus. Next is the track “The Suffering”. It’s powerfully gripping lyrics drew me in and the dynamic guitars which almost even remind me of a hit from their first cd “line and sinker” set the mood for a great song. Perhaps the most mainstream song on this cd; and even one of the better songs, would be track #5 “pins and needles”. It is a slower song which does pick up towards the middle but seems to be the best song on the cd. The rest of the songs are decent, making this a well-rounded disk; only the intros seem to sound mostly the same. One exception is burn the evidence which is an addicting ending to this all- together good album. Recommended Tracks: Track #5: Pins And Needles
Rise Against - The Sufferer & The Witness
Written byScott Ricci
Tuesday, 07 November 2006
As a CD on the whole I would say that it is sub-par in comparison with some of Rise Against’s earlier albums such as Revolutions Per Minute. There are some bright spots such as the single “Ready To Fall” and the first song on the CD “Chamber The Cartridge”. These two songs do well in keeping with Rise Against’s social-political critic reminiscent of old Rise Against allowing an old fan to have a nice nostalgic moment within the CD. Probably the worst song on the whole album is track 11 entitled “Roadside”. Now I know, we all loved “Swing Life Away” I mean hell that’s a great track on the album Siren Song of the Counter Culture but another slow sappy song come on boys what where you thinking. I want to rock not listen to a Nickelback CD.
Tuesday, 07 November 2006
As a CD on the whole I would say that it is sub-par in comparison with some of Rise Against’s earlier albums such as Revolutions Per Minute. There are some bright spots such as the single “Ready To Fall” and the first song on the CD “Chamber The Cartridge”. These two songs do well in keeping with Rise Against’s social-political critic reminiscent of old Rise Against allowing an old fan to have a nice nostalgic moment within the CD. Probably the worst song on the whole album is track 11 entitled “Roadside”. Now I know, we all loved “Swing Life Away” I mean hell that’s a great track on the album Siren Song of the Counter Culture but another slow sappy song come on boys what where you thinking. I want to rock not listen to a Nickelback CD.
Ben Folds - SuperSunnySpeedGraphic, the LP
Written by John Poretta
Tuesday, 07 November 2006
Ben Folds' third and latest solo album, “SuperSunnySpeedGraphic, the LP” is a collection of songs taken mostly from his limited edition EPs: “Super”, “Sunny 16”, and “Speed Graphic.” The Lp also includes songs from “The Bens EP,” which was a short CD of songs written and recorded by Ben Lee, Ben Kweller, and of course, Ben Folds. Another distinctive feature of the new album is that it includes three cover songs: The Cure’s “In Between Days” The Darkness’ “Get Your Hands Off My Woman” and a humorous rendition of Dr. Dre’s “B****** Ain’t S***.” Although these songs may seem like a big departure from the regular sound he plays, there is so much Ben Folds influence in the songs that most listeners won’t even realize that they aren’t originals. The twelve-track CD includes everything a Ben Folds fan would expect: clever lyrics, catchy melodies, and his powerful voice. Although I wouldn’t expect to hear any of these songs on mainstream radio, it doesn’t change the fact that “SuperSunnySpeedGraphic” may be one of the best albums this fall season.
Tuesday, 07 November 2006
Ben Folds' third and latest solo album, “SuperSunnySpeedGraphic, the LP” is a collection of songs taken mostly from his limited edition EPs: “Super”, “Sunny 16”, and “Speed Graphic.” The Lp also includes songs from “The Bens EP,” which was a short CD of songs written and recorded by Ben Lee, Ben Kweller, and of course, Ben Folds. Another distinctive feature of the new album is that it includes three cover songs: The Cure’s “In Between Days” The Darkness’ “Get Your Hands Off My Woman” and a humorous rendition of Dr. Dre’s “B****** Ain’t S***.” Although these songs may seem like a big departure from the regular sound he plays, there is so much Ben Folds influence in the songs that most listeners won’t even realize that they aren’t originals. The twelve-track CD includes everything a Ben Folds fan would expect: clever lyrics, catchy melodies, and his powerful voice. Although I wouldn’t expect to hear any of these songs on mainstream radio, it doesn’t change the fact that “SuperSunnySpeedGraphic” may be one of the best albums this fall season.
Midtown - Forget What you Know
Written by Steve Parker
Tuesday, 07 November 2006
To be honest I have been a Midtown fanatic since I started listening to music intently. Midtown was one of the very first bands I ever truly listened to. Their debut album “Save The World, Lose The Girl” is one of the three best albums that I personally have ever listened to. However, “Forget What You Know” is far from the midtown I am used to. In my opinion, it is actually a lot… worse. Their opening track “To Our Savior” is probably one of the best tracks on this CD. The chorus is different then the midtown I’m used to, but its still a bit catchy. The second song, “Give It Up” is actually their breakout song which was put out as their single, and it is also a pretty decent song. From here on, sadly, the album takes a steep decline. Except for “A Whole New World” and a short, but catchy instrumental “The Tragedy Of The Human Condition”, the Album is less then mediocre. This is a sad to my midtown obsession. I was used to being able to listen to entire albums by them and now, I have to pick and choose…(tear). Recommended Tracks: Track #2: To Our Saviors (clean) Track #3: Give It Up (clean) Track #6: Whole New World (clean)
Tuesday, 07 November 2006
To be honest I have been a Midtown fanatic since I started listening to music intently. Midtown was one of the very first bands I ever truly listened to. Their debut album “Save The World, Lose The Girl” is one of the three best albums that I personally have ever listened to. However, “Forget What You Know” is far from the midtown I am used to. In my opinion, it is actually a lot… worse. Their opening track “To Our Savior” is probably one of the best tracks on this CD. The chorus is different then the midtown I’m used to, but its still a bit catchy. The second song, “Give It Up” is actually their breakout song which was put out as their single, and it is also a pretty decent song. From here on, sadly, the album takes a steep decline. Except for “A Whole New World” and a short, but catchy instrumental “The Tragedy Of The Human Condition”, the Album is less then mediocre. This is a sad to my midtown obsession. I was used to being able to listen to entire albums by them and now, I have to pick and choose…(tear). Recommended Tracks: Track #2: To Our Saviors (clean) Track #3: Give It Up (clean) Track #6: Whole New World (clean)
Norma Jean - O’ God, The Aftermath: The Marvelous End Of The Exhausted Contender
Written by Steve Parker
Tuesday, 07 November 2006
To Be quiet honest I am a bit bias in reviewing this record. Solid State is my favorite label, heralding such bands as Underoath, As Cities Burn, Emery, and The Almost. Another bias I have is more of a tolerance; a tolerance and even liking of harder music. Norma Jean starts this cd off with an amazing song; “Murderotica”. Probably my favorite song on this album comes at the middle. Track #6 “Liarsenic” is a great song with catchy vocals (meaning singing) and great guitar riffs. On track #7 “Disconnecktie” there is a long drawn out palm-muted part which really makes you stop and listen to the singing in the back round. It then turns into a long period of just simple instrumentals, which almost makes you forget that this is such a heavy cd. The screams are dynamic, as I like them, and the wailing guitars just contribute to the heavy, dark, atmosphere that engulfs you throughout this song. However, the song assures “there is hope for us yet”. This cd is pretty much one elongated hardcore anthem. The songs may sound similar at most times, but the intricate details, different guitar riffs and mosh-pit invoking breakdowns separate this album from almost all albums. Unfortunately, there would be no place on the radio for this cd, it is too genre specific and only people who really do enjoy a good hardcore song (such as me) would even want to listen to it. Recommended Tracks: None
Tuesday, 07 November 2006
To Be quiet honest I am a bit bias in reviewing this record. Solid State is my favorite label, heralding such bands as Underoath, As Cities Burn, Emery, and The Almost. Another bias I have is more of a tolerance; a tolerance and even liking of harder music. Norma Jean starts this cd off with an amazing song; “Murderotica”. Probably my favorite song on this album comes at the middle. Track #6 “Liarsenic” is a great song with catchy vocals (meaning singing) and great guitar riffs. On track #7 “Disconnecktie” there is a long drawn out palm-muted part which really makes you stop and listen to the singing in the back round. It then turns into a long period of just simple instrumentals, which almost makes you forget that this is such a heavy cd. The screams are dynamic, as I like them, and the wailing guitars just contribute to the heavy, dark, atmosphere that engulfs you throughout this song. However, the song assures “there is hope for us yet”. This cd is pretty much one elongated hardcore anthem. The songs may sound similar at most times, but the intricate details, different guitar riffs and mosh-pit invoking breakdowns separate this album from almost all albums. Unfortunately, there would be no place on the radio for this cd, it is too genre specific and only people who really do enjoy a good hardcore song (such as me) would even want to listen to it. Recommended Tracks: None
The Format - Dog Problems
Written by Steve Parker
Tuesday, 07 November 2006
This album starts out with an interesting song. Interesting is not necessarily a good thing. With a back round synth riff that sounds almost like carnival this song is unimpressive. Especially after their previous album, “Interventions And Lullabies” begins with one of the best songs I have ever heard: “The First Single”. The second song is a very slow-paced, yet catchy song beginning with nothing but vocals and back round “oohs”. This songs downfall is toward the end when, yet again, it beings to feel almost like music that should be played in circus. The third track “Time Bomb” is a very catchy and well thought-out song. From here the album escalates. “She Doesn’t Get It” is an instant classic; in my opinion. This song has it all. Catchy voice changes, a great melody, and great guitar riffs. Everything from here on just catches you. “Pick Me Up”, “Dead End”, and “The Compromise” are three blockbuster songs. This band is the real deal; even if they are just a two man act. (in theory atleast). The rest of the album consists of consistently great songs. This is the format I was hoping for. Recommended Tracks: Track # 4: She Doesn’t Get It (Clean) Track # 5: Pick Me Up (Clean) Track # 8: Dead End (Clean) Track # 10: The Compromise (Clean)
Tuesday, 07 November 2006
This album starts out with an interesting song. Interesting is not necessarily a good thing. With a back round synth riff that sounds almost like carnival this song is unimpressive. Especially after their previous album, “Interventions And Lullabies” begins with one of the best songs I have ever heard: “The First Single”. The second song is a very slow-paced, yet catchy song beginning with nothing but vocals and back round “oohs”. This songs downfall is toward the end when, yet again, it beings to feel almost like music that should be played in circus. The third track “Time Bomb” is a very catchy and well thought-out song. From here the album escalates. “She Doesn’t Get It” is an instant classic; in my opinion. This song has it all. Catchy voice changes, a great melody, and great guitar riffs. Everything from here on just catches you. “Pick Me Up”, “Dead End”, and “The Compromise” are three blockbuster songs. This band is the real deal; even if they are just a two man act. (in theory atleast). The rest of the album consists of consistently great songs. This is the format I was hoping for. Recommended Tracks: Track # 4: She Doesn’t Get It (Clean) Track # 5: Pick Me Up (Clean) Track # 8: Dead End (Clean) Track # 10: The Compromise (Clean)
The Early November - The Mother, The Mechanic, and The Path
Written by John Porretta
Tuesday, 07 November 2006
The Mother, The Mechanic, and the Path" is the follow up to the Early November's first full release, "The Room is too Cold." This new release is a triple disc concept album, with each disc telling the story of a family through the eyes of the mother, the father and the son. Along with having a different side to the story, each disc also seem to be a somewhat different genre of music. The first disc, the mechanic, is the most impressive of the three discs. Although there are one of two duds, catchy songs like "decoration" and "no good at saying goodbye" make this alternative disc worth listening to over and over. The second disc, the Mother, moves away from the poppy alternative sound from the first disc, and shows more of an influence from soft rock, folk, and blues. Although this disc wasn't as impressive as the first disc, it still displayed some great songs that give you goose bumps up and down your arms. The third disc, consisting of 24 experimental tracks, was the most disappointing of the three. This disc focused less on distorted rock riffs, and more on a more experimental sound, with use of flutes, trumpets, and violins. Aside from the very disappointing third disc, "The Mother, the Mechanic, and the Path" is a very impressive release from this southern Jersey rock band. Tracks like "decoration," "a little more time" and "make a decision" are all perfect examples of just how talented front man Ace Enders is as both a songwriter and as a musician. Recommended Tracks: On CD 1: Track #4- No Good At Saying Goodbye On CD 2: Track #2- A little More Time
Tuesday, 07 November 2006
The Mother, The Mechanic, and the Path" is the follow up to the Early November's first full release, "The Room is too Cold." This new release is a triple disc concept album, with each disc telling the story of a family through the eyes of the mother, the father and the son. Along with having a different side to the story, each disc also seem to be a somewhat different genre of music. The first disc, the mechanic, is the most impressive of the three discs. Although there are one of two duds, catchy songs like "decoration" and "no good at saying goodbye" make this alternative disc worth listening to over and over. The second disc, the Mother, moves away from the poppy alternative sound from the first disc, and shows more of an influence from soft rock, folk, and blues. Although this disc wasn't as impressive as the first disc, it still displayed some great songs that give you goose bumps up and down your arms. The third disc, consisting of 24 experimental tracks, was the most disappointing of the three. This disc focused less on distorted rock riffs, and more on a more experimental sound, with use of flutes, trumpets, and violins. Aside from the very disappointing third disc, "The Mother, the Mechanic, and the Path" is a very impressive release from this southern Jersey rock band. Tracks like "decoration," "a little more time" and "make a decision" are all perfect examples of just how talented front man Ace Enders is as both a songwriter and as a musician. Recommended Tracks: On CD 1: Track #4- No Good At Saying Goodbye On CD 2: Track #2- A little More Time
The Starting Line - Based on a True Story
Written by John Hurdelbrink
Tuesday, 07 November 2006
Although hearing of The Starting Line, I wasn’t all too familiar with their music. Once listening through the CD, I felt that they sounded like a mellow version of New Found Glory. The album is definitely alternative rock, with traces of screaming. All of the songs sound pretty similar, in the sense that I was forgetting which song was which even after listening through the CD multiple times. The only exception to this was Track 6, “Photography”, which is the sole ballad on the CD. Track 8 “Artistic License” is also slower, but not enough to be considered a ballad. Although the majority of the songs sound similar, a few stood out to me, as I kept thinking of them while going from class to class. The first of these is Track 4, “Bedroom Talk”, is probably my favorite song on the whole album. Although the lyrics are not too appropriate, the song itself is catchy and upbeat. I also enjoyed “Stay Where I Can See You”, “The B-List” and “The World”. While the first two have that alternative sound, “The World” is more pop-based, but it is still a good song nonetheless. I have only heard their music from before this CD, but they have definitely become more mature as a group, and therefore are making better music. The album itself sounds very sharp and clear, with no songs sounding poor. Although the songs sound repetitive, they all have their own differences that separate them. Besides, there are several standout songs that make the CD worthwhile. I would recommend the CD to most people, especially those who are fans of alternative rock, like me. Recommended Tracks: Track 4- Bedroom Talk (language) Track 9- Stay Where I Can See You (clean) Track 10- The B-List (clean) Track 11- The World (clean)
Tuesday, 07 November 2006
Although hearing of The Starting Line, I wasn’t all too familiar with their music. Once listening through the CD, I felt that they sounded like a mellow version of New Found Glory. The album is definitely alternative rock, with traces of screaming. All of the songs sound pretty similar, in the sense that I was forgetting which song was which even after listening through the CD multiple times. The only exception to this was Track 6, “Photography”, which is the sole ballad on the CD. Track 8 “Artistic License” is also slower, but not enough to be considered a ballad. Although the majority of the songs sound similar, a few stood out to me, as I kept thinking of them while going from class to class. The first of these is Track 4, “Bedroom Talk”, is probably my favorite song on the whole album. Although the lyrics are not too appropriate, the song itself is catchy and upbeat. I also enjoyed “Stay Where I Can See You”, “The B-List” and “The World”. While the first two have that alternative sound, “The World” is more pop-based, but it is still a good song nonetheless. I have only heard their music from before this CD, but they have definitely become more mature as a group, and therefore are making better music. The album itself sounds very sharp and clear, with no songs sounding poor. Although the songs sound repetitive, they all have their own differences that separate them. Besides, there are several standout songs that make the CD worthwhile. I would recommend the CD to most people, especially those who are fans of alternative rock, like me. Recommended Tracks: Track 4- Bedroom Talk (language) Track 9- Stay Where I Can See You (clean) Track 10- The B-List (clean) Track 11- The World (clean)
HelloGoodbye - Zombies! Aliens! Vampires! Dinosaurs!
Written by Jenna Nolan
Tuesday, 07 November 2006
Hellogoodbye is back, and this time with a full-length album. Following their self-titled EP, the boys from Huntington Beach put a new musical twist into "Zombies! Aliens! Vampires! Dinosaurs!" by lacing in electonica beats with their alternative style. Although this album is different from the Hellogoodbye-EP, the tracks have awesome beats with AIM-profile worthy lyrics. The recording quality is great and filled with catchy melodies. "Zombies! Aliens! Vampires! Dinosaurs" is recommended for fans of Panic! At the Disco, All Time Low, and Cute Is What We Aim For. Recommended Tracks Track 2- Here (In Your Arms)- clean Track 3- All Time Lows- clean Track 7- Baby It's Fact- clean Track 8- Figures A and B Means You And Me- clean Track 10- Touchdown Turnaround (Don't Give Up On Me) -clean
Tuesday, 07 November 2006
Hellogoodbye is back, and this time with a full-length album. Following their self-titled EP, the boys from Huntington Beach put a new musical twist into "Zombies! Aliens! Vampires! Dinosaurs!" by lacing in electonica beats with their alternative style. Although this album is different from the Hellogoodbye-EP, the tracks have awesome beats with AIM-profile worthy lyrics. The recording quality is great and filled with catchy melodies. "Zombies! Aliens! Vampires! Dinosaurs" is recommended for fans of Panic! At the Disco, All Time Low, and Cute Is What We Aim For. Recommended Tracks Track 2- Here (In Your Arms)- clean Track 3- All Time Lows- clean Track 7- Baby It's Fact- clean Track 8- Figures A and B Means You And Me- clean Track 10- Touchdown Turnaround (Don't Give Up On Me) -clean
Jet Lag Gemini- Business
Written by Jess Fullagar
Tuesday, 07 November 2006
Since jumping on the scene and playing their first show on March 27, 2003, Jet Lag Gemini has become a local punk rock favorite in their home state of New Jersey. Signed to Doghouse Records, the boys released their debut EP, entitled Business on June 6, 2006. Misha, Vlad, Matei, and Dan get down to Business with sick beats and infectious riffs that you can’t help but tap your feet to. The tracks are filled with energy and inspired lyrics. Recording quality is great and professional- a winner. The boys of Jet Lag Gemini have proved with Business that they will be around for a long time and have more great tunes up their sleeves.
Tuesday, 07 November 2006
Since jumping on the scene and playing their first show on March 27, 2003, Jet Lag Gemini has become a local punk rock favorite in their home state of New Jersey. Signed to Doghouse Records, the boys released their debut EP, entitled Business on June 6, 2006. Misha, Vlad, Matei, and Dan get down to Business with sick beats and infectious riffs that you can’t help but tap your feet to. The tracks are filled with energy and inspired lyrics. Recording quality is great and professional- a winner. The boys of Jet Lag Gemini have proved with Business that they will be around for a long time and have more great tunes up their sleeves.
Allister- Before the Blackout
Written by Mike Wood
Saturday, 29 October 2005
It has been quite a few years since Allister has released an album and after some touring, some personnel changes and no doubt some heavy drinking, the Chicago based band has released "Before the Blackout" on Drive-Thru Records. This latest effort is typical of the fast guitars, even quicker drums and generic pop punk sound that the band has become known for. So be warned, if pop punk is not your thing then "Before the Blackout" will no doubt disappoint. However, if you can get past the generics and into the specifics of what the band is really all about then Allister can be the right fit for your headphones. The lyrics (just like the band) have matured and clearly demonstrate a certain edge that only comes through experience. This same edge has also resulted in the first Allister CD to have a parental advisory sticker. This is unwarranted and is sadly typical of the music industries paranoia when it comes to language. Sure there are a few instances of profanity, but nothing untypical of the average American teenager. The lyrics are basically about girls, alcohol, fires and just life in general, things we can all relate to. In fact the CD is great to listen to when your feeling down as it will inspire you to get up and get out! With this new release Allister could make waves in the genre of pop punk. It will leave the listener looking forward to the bands next effort!
Saturday, 29 October 2005
It has been quite a few years since Allister has released an album and after some touring, some personnel changes and no doubt some heavy drinking, the Chicago based band has released "Before the Blackout" on Drive-Thru Records. This latest effort is typical of the fast guitars, even quicker drums and generic pop punk sound that the band has become known for. So be warned, if pop punk is not your thing then "Before the Blackout" will no doubt disappoint. However, if you can get past the generics and into the specifics of what the band is really all about then Allister can be the right fit for your headphones. The lyrics (just like the band) have matured and clearly demonstrate a certain edge that only comes through experience. This same edge has also resulted in the first Allister CD to have a parental advisory sticker. This is unwarranted and is sadly typical of the music industries paranoia when it comes to language. Sure there are a few instances of profanity, but nothing untypical of the average American teenager. The lyrics are basically about girls, alcohol, fires and just life in general, things we can all relate to. In fact the CD is great to listen to when your feeling down as it will inspire you to get up and get out! With this new release Allister could make waves in the genre of pop punk. It will leave the listener looking forward to the bands next effort!
CONCERT REVIEW: The Kings of Leon, Toad's Place
Written by Jess Bannon
Saturday, 15 October 2005
The Kings of Leon, playing for their first time in New Haven, definitely made an impression at Toad's Place last Tuesday night. They began with some songs off their latest album, Aha Shake Heartbreak, choosing to play some of the "crowd-pleasers"- Four Kicks, "Soft", and "The Bucket," among others- to effectively fill the room full of the same energy they radiate at every show. And they did. Fans ranged from the under 21's who knew all the words to the more mature listeners who frequent Toad's Place for their consistently good lineup and were less familiar with the band. Kings of Leon presents an edgy Southern rock, complete with vaguely incoherant lyrics, absurdly tight jeans and worn-in tees. Their style, however casual, is decidedly infectious: their fan base has rapidly expanded in the last few years after the critically-acclaimed album Youth and Young Manhood broke. They have since opened for U2 and sold out their own shows across the country. As the concert progressed, Kings of Leon didn't hesitate to include old favorites as well- "Red Morning Light," for example, drove the front of the crowd into a mosh pit of sweat and adrenaline. A man in a cowboy hat and boots spun the somewhat alarmed woman next to him into a feverish two-step. Like the band's rising popularity, she couldn't help but smile and let him lead.
Saturday, 15 October 2005
The Kings of Leon, playing for their first time in New Haven, definitely made an impression at Toad's Place last Tuesday night. They began with some songs off their latest album, Aha Shake Heartbreak, choosing to play some of the "crowd-pleasers"- Four Kicks, "Soft", and "The Bucket," among others- to effectively fill the room full of the same energy they radiate at every show. And they did. Fans ranged from the under 21's who knew all the words to the more mature listeners who frequent Toad's Place for their consistently good lineup and were less familiar with the band. Kings of Leon presents an edgy Southern rock, complete with vaguely incoherant lyrics, absurdly tight jeans and worn-in tees. Their style, however casual, is decidedly infectious: their fan base has rapidly expanded in the last few years after the critically-acclaimed album Youth and Young Manhood broke. They have since opened for U2 and sold out their own shows across the country. As the concert progressed, Kings of Leon didn't hesitate to include old favorites as well- "Red Morning Light," for example, drove the front of the crowd into a mosh pit of sweat and adrenaline. A man in a cowboy hat and boots spun the somewhat alarmed woman next to him into a feverish two-step. Like the band's rising popularity, she couldn't help but smile and let him lead.
Bayside- Bayside
Written by Carl Lombardi
Wednesday, 26 October 2005
Bayside is a band who I saw perform live about 2 years before they released their self titled sophomore album. The CD takes their sound of basic rock and sprinkles in some punk to create a very simple yet addictive sound. It really is amazing for someone who has been a fan for so long to see how the band has grown. Most of the songs are about life’s ups and downs, usually more the downs. At times the singer seems almost suicidal, but it works with the music. The guitars are done methodically, and the bass keeps up with the songs and provides a good background sound to the music. Lastly, the drums really keep the beat well and provide a quality base that the other members of the band seem to feed off of. In closing, Bayside’s sophomore album is free of the “sophomore jinx” that plagues many bands. Hot Tracks- “Tortures of the Damned”“Don’t Call me a Peanut”“Half a Life”Rating- 8.5/10
Wednesday, 26 October 2005
Bayside is a band who I saw perform live about 2 years before they released their self titled sophomore album. The CD takes their sound of basic rock and sprinkles in some punk to create a very simple yet addictive sound. It really is amazing for someone who has been a fan for so long to see how the band has grown. Most of the songs are about life’s ups and downs, usually more the downs. At times the singer seems almost suicidal, but it works with the music. The guitars are done methodically, and the bass keeps up with the songs and provides a good background sound to the music. Lastly, the drums really keep the beat well and provide a quality base that the other members of the band seem to feed off of. In closing, Bayside’s sophomore album is free of the “sophomore jinx” that plagues many bands. Hot Tracks- “Tortures of the Damned”“Don’t Call me a Peanut”“Half a Life”Rating- 8.5/10
Coheed and Cambria- Good Apollo I’m Burning Star IV
Written by Carl
Wednesday, 26 October 2005
CD ReviewArtist- Coheed and CambriaTitle- Good Apollo I’m Burning Star IV Volume One: From Fear Through the Eyes of MadnessRecord Label- Equal Vision/Colombia Records Genre- RockLibrary ID- 1496Reviewed By- Carl LombardiDate- 10-24-05 I’m going to be honest with you. To be blunt, Coheed’s sophomore effort, In Keeping Secrets of Silent Earth: 3 is one of my favorite CD’s and it just recently left heavy rotation in my CD player. The 3rd effort from the band shows that they really know how to make a long title. Would the music hold up through? In a word, YES. Claudio sings again about the plights of the fictional Coheed and Cambria (the comic book characters.) This is the continuation of the story of Coheed and Cambria that began with 2002’s The Second Stage Turbine Blade, and was continued with In Keeping Secrets… The guitars are awesome yet again, a testament to Coheed’s music. The bass and the drumming are also above average, but nothing to cry home about. In my opinion, Claudio has a great voice that goes perfect with the music, but some people are not huge fans. Musically, the album sounds very similar to In Keeping Secrets… not a huge change…On a song like The Suffering, it sounds very similar to Three Evils off the last CD….so their going to lose a little for that. But honestly, this CD is solid all the way through. Hot Tracks- Keeping The BladeThe SufferingAll the “Willing Well” Tracks Rating- 8.5/10
Wednesday, 26 October 2005
CD ReviewArtist- Coheed and CambriaTitle- Good Apollo I’m Burning Star IV Volume One: From Fear Through the Eyes of MadnessRecord Label- Equal Vision/Colombia Records Genre- RockLibrary ID- 1496Reviewed By- Carl LombardiDate- 10-24-05 I’m going to be honest with you. To be blunt, Coheed’s sophomore effort, In Keeping Secrets of Silent Earth: 3 is one of my favorite CD’s and it just recently left heavy rotation in my CD player. The 3rd effort from the band shows that they really know how to make a long title. Would the music hold up through? In a word, YES. Claudio sings again about the plights of the fictional Coheed and Cambria (the comic book characters.) This is the continuation of the story of Coheed and Cambria that began with 2002’s The Second Stage Turbine Blade, and was continued with In Keeping Secrets… The guitars are awesome yet again, a testament to Coheed’s music. The bass and the drumming are also above average, but nothing to cry home about. In my opinion, Claudio has a great voice that goes perfect with the music, but some people are not huge fans. Musically, the album sounds very similar to In Keeping Secrets… not a huge change…On a song like The Suffering, it sounds very similar to Three Evils off the last CD….so their going to lose a little for that. But honestly, this CD is solid all the way through. Hot Tracks- Keeping The BladeThe SufferingAll the “Willing Well” Tracks Rating- 8.5/10
Days Away - Mapping an Invisible World
Written by Stephen Sennett
Friday, 12 August 2005
Days Away - Mapping an Invisible World Mapping an Invisible WOrld is Philadelphia's Days Away first full-length album that contains abundant melodies, carefully crafted songs, the album was produced by Neil Avron who also worked on Fall Out Boy, Yellowcard, and New Found Glory. God and Mars is the stand out track on the album with a insane drum breakdown. For fans of Death Cab, Jimmy Eat World and June this will not dissapoint
Friday, 12 August 2005
Days Away - Mapping an Invisible World Mapping an Invisible WOrld is Philadelphia's Days Away first full-length album that contains abundant melodies, carefully crafted songs, the album was produced by Neil Avron who also worked on Fall Out Boy, Yellowcard, and New Found Glory. God and Mars is the stand out track on the album with a insane drum breakdown. For fans of Death Cab, Jimmy Eat World and June this will not dissapoint
Sublime- Stand By Your Van (Live)
Written by Mike Wood
Saturday, 29 October 2005
May 25th 1996 was a day which Sublime fans will never forget. It was during the late morning hours that lead singer/songwriter Bradley Nowell died due to a heroin overdose. It was a sad day and left the remaining members of Sublime, Eric Wilson and Bud Gaugh with a problem, what was MCA to do with the remaining commitment of Sublime records? Well, one answer was 1998’s release of live music, taken from 3 shows, a 1994 show at Kommotion in San Francisco, a 1995 Warped Tour stop in New Jersey, as well as a House of Blues show a month before Brad’s death. Enough regressing, this is a review of Sublime’ only OFFICAL live release, (there are a TON of bootlegs of varying quality). Onto the CD, well for a live CD the quality is decent, as theres crowd noise but not overpowering. However, the clarity isn’t awesome because the shows were not meant to be released live, so there are some bootlegs that are of BETTER quality. Brad’s songwriting talent shines through in this live mix of Sublime’s 3 studio releases. Now his singing is quite good but as Brad didn’t always perform sober, he sometimes forgets the words, or the entire way to start a song….however he recovers or the crowd fills in the gaps and its truly a great listen. If you never got to see Sublime, as I never did, this is the best you can do….and if this CD was any indication they were while not always coherent, and didn’t always pair the right words to the right songs, they were still great. Someone once said it was the “feeling” that mattered during a Sublime show….and the feelings of togetherness and laid back attitude was strongly evident on this CD.Hot TracksDJ’s (extended into from 40 oz. edition) New ThrashPool Shark (even through Bradley forgets how to start the song)Rating- 9/10
Saturday, 29 October 2005
May 25th 1996 was a day which Sublime fans will never forget. It was during the late morning hours that lead singer/songwriter Bradley Nowell died due to a heroin overdose. It was a sad day and left the remaining members of Sublime, Eric Wilson and Bud Gaugh with a problem, what was MCA to do with the remaining commitment of Sublime records? Well, one answer was 1998’s release of live music, taken from 3 shows, a 1994 show at Kommotion in San Francisco, a 1995 Warped Tour stop in New Jersey, as well as a House of Blues show a month before Brad’s death. Enough regressing, this is a review of Sublime’ only OFFICAL live release, (there are a TON of bootlegs of varying quality). Onto the CD, well for a live CD the quality is decent, as theres crowd noise but not overpowering. However, the clarity isn’t awesome because the shows were not meant to be released live, so there are some bootlegs that are of BETTER quality. Brad’s songwriting talent shines through in this live mix of Sublime’s 3 studio releases. Now his singing is quite good but as Brad didn’t always perform sober, he sometimes forgets the words, or the entire way to start a song….however he recovers or the crowd fills in the gaps and its truly a great listen. If you never got to see Sublime, as I never did, this is the best you can do….and if this CD was any indication they were while not always coherent, and didn’t always pair the right words to the right songs, they were still great. Someone once said it was the “feeling” that mattered during a Sublime show….and the feelings of togetherness and laid back attitude was strongly evident on this CD.Hot TracksDJ’s (extended into from 40 oz. edition) New ThrashPool Shark (even through Bradley forgets how to start the song)Rating- 9/10
The Dropkick Murphys- The Warriors Code
Written by Evan Barden
Thursday, 22 September 2005
MUSIC REVIEWS: The Dropkick Murphys: The Warriors Code Released June 21, 2005, the Dropkick Murphys return with their 5th full length studio album. As with their last release, Blackout, the Murphys' sound is becoming more and more infiltrated with the sounds of good ole rock and roll. But don’t get the wrong idea, the Murphys aren’t getting soft, they’re just becoming more comfortable in their place as the best Irish punk band this side of anywhere (sorry Flogging Molly fans). As with any Dropkicks album, The Warriors Code touches on various subjects, induces barrooms of sing-a-longs, and makes the bagpipes a kick ass instrument. The title track talks about one of Massachusetts’s best “workman” boxers, Micky Ward. The Murphys relate themselves to Mickey because of the hard working ethic he lived by. Always the underdogs, the Murphys and Micky alike are/were always in it for the pride and love of what they do. Another song, Your Spirit’s Alive, is very close to the hearts of the members of the band. Gregory Riley, aka Chickenman, was a dear, personal friend of the Dropkicks when he passed away in a tragic motorcycle accident in May of 2004. This song was written for Chickenman and also includes references to others the Murphys have felt the loss of. Possibly the most touching track on the album is Last Letter Home. “We had already finished this song that was based on general correspondences to & from the soldiers serving in Iraq, when we were contacted by the family of Sgt. Andrew Farrar who had recently died while serving there. The family wanted to tell us he was a big supporter of the Dropkick Murphys. They also passed on a letter that he had written to his mother shortly before his death in which he thanks her for sending him a Dropkick Murphys CD & said that if anything should happen to him in Iraq, he would like one of our songs played at his funeral…Sgt. Farrar died on January 28th, on his 31st birthday. We were present at his funereal to grant his wish and played ‘Fields of Athenry’ as his casket entered the church. This song was re-written to include excerpts from that letter” – DKM. Along with Boston radio favorites Sunshine Highway, The Burden, and the 2004 World Championship Red Sox’ official song, Tessie, The Warriors Code is reason enough for any Dropkicks fan to sing loud and sing proud. Rating: Kick Ass Recommended Tracks: Track 5 – Sunshine Highway Track 7 – The Burden Track 14 – Tessie
Thursday, 22 September 2005
MUSIC REVIEWS: The Dropkick Murphys: The Warriors Code Released June 21, 2005, the Dropkick Murphys return with their 5th full length studio album. As with their last release, Blackout, the Murphys' sound is becoming more and more infiltrated with the sounds of good ole rock and roll. But don’t get the wrong idea, the Murphys aren’t getting soft, they’re just becoming more comfortable in their place as the best Irish punk band this side of anywhere (sorry Flogging Molly fans). As with any Dropkicks album, The Warriors Code touches on various subjects, induces barrooms of sing-a-longs, and makes the bagpipes a kick ass instrument. The title track talks about one of Massachusetts’s best “workman” boxers, Micky Ward. The Murphys relate themselves to Mickey because of the hard working ethic he lived by. Always the underdogs, the Murphys and Micky alike are/were always in it for the pride and love of what they do. Another song, Your Spirit’s Alive, is very close to the hearts of the members of the band. Gregory Riley, aka Chickenman, was a dear, personal friend of the Dropkicks when he passed away in a tragic motorcycle accident in May of 2004. This song was written for Chickenman and also includes references to others the Murphys have felt the loss of. Possibly the most touching track on the album is Last Letter Home. “We had already finished this song that was based on general correspondences to & from the soldiers serving in Iraq, when we were contacted by the family of Sgt. Andrew Farrar who had recently died while serving there. The family wanted to tell us he was a big supporter of the Dropkick Murphys. They also passed on a letter that he had written to his mother shortly before his death in which he thanks her for sending him a Dropkick Murphys CD & said that if anything should happen to him in Iraq, he would like one of our songs played at his funeral…Sgt. Farrar died on January 28th, on his 31st birthday. We were present at his funereal to grant his wish and played ‘Fields of Athenry’ as his casket entered the church. This song was re-written to include excerpts from that letter” – DKM. Along with Boston radio favorites Sunshine Highway, The Burden, and the 2004 World Championship Red Sox’ official song, Tessie, The Warriors Code is reason enough for any Dropkicks fan to sing loud and sing proud. Rating: Kick Ass Recommended Tracks: Track 5 – Sunshine Highway Track 7 – The Burden Track 14 – Tessie
Gorillaz - Demon Days
Written by Administrator
Wednesday, 22 June 2005
Gorillaz release new album... It has been four years now since we first heard "Clint Eastwood". Are the Gorillaz stilll able to entertain with their cartoon fascade, or was it just a passe fad that was not meant to last? Personally, I think this new album, all good in it's own right, does not compare to their self titled album "Gorillaz". Their producer who was responsible for the original formation has been replaced on this album by Danger Mouse, who you may remember from the Jay-Z Black Album mixed with he Beatles White Album fiasco; you know the Grey Album that you own, but it's technically illegal? I feel Dan the Automator brought a much purerhip-hop element to the group while Danger Mouse lives in layered synths and electronic effects. Don't get m wrong, this album is still extremely good, but it doesn't stack up to the flowing lyrical genious of Del the Funky Homeosapien rhyming over the Automator's beats.
Wednesday, 22 June 2005
Gorillaz release new album... It has been four years now since we first heard "Clint Eastwood". Are the Gorillaz stilll able to entertain with their cartoon fascade, or was it just a passe fad that was not meant to last? Personally, I think this new album, all good in it's own right, does not compare to their self titled album "Gorillaz". Their producer who was responsible for the original formation has been replaced on this album by Danger Mouse, who you may remember from the Jay-Z Black Album mixed with he Beatles White Album fiasco; you know the Grey Album that you own, but it's technically illegal? I feel Dan the Automator brought a much purerhip-hop element to the group while Danger Mouse lives in layered synths and electronic effects. Don't get m wrong, this album is still extremely good, but it doesn't stack up to the flowing lyrical genious of Del the Funky Homeosapien rhyming over the Automator's beats.
White Stripes – Get Behind Me Satan
Written by Stephen Sennett
Tuesday, 19 July 2005
Get Behind Me Satan is the White Stripes fifth album, and in my opinion, their best to date. This unlikely duo has progressed so far from their first release. This album is less characterized by the pounding guitars that Stripes fans have come to expect, and has been replaced by pounding pianos. While this is a very good album, it is definitely not without its problems; “Instinct Blues” drags on and always seems to get skipped when it is in my player. Check out “Doorbell” and “Forever for Her”.
Tuesday, 19 July 2005
Get Behind Me Satan is the White Stripes fifth album, and in my opinion, their best to date. This unlikely duo has progressed so far from their first release. This album is less characterized by the pounding guitars that Stripes fans have come to expect, and has been replaced by pounding pianos. While this is a very good album, it is definitely not without its problems; “Instinct Blues” drags on and always seems to get skipped when it is in my player. Check out “Doorbell” and “Forever for Her”.
Kevin Lyttle- Good Things Come In Lyttle Packages
Written by Administrator
Friday, 25 March 2005
While Kevin Lyttle is on the same label (Atlantic) and Sean Paul and there is a bit of Dance-Hall Reggae tang on his monstrous summer hit "Turn Me On," he is not to be grouped in the same genre. Lyttle actually refers to his music as Soca (Soul Calypso) and is smoother and more soulful than the reggae troubadours his is often linked too.
Though his sound is a nice change form the aggressiveness of D.H. Reggae, it sounds akin the Caribbean bets of Inner Circle ("Sweat") than a really new sound (as Atlantic would like us to believe it is). A cover of Terrance Trent Darby's "Sign Your Name" was a great idea as Darby was the one true - yet overlooked - soul-ster of the late 80's.
Friday, 25 March 2005
While Kevin Lyttle is on the same label (Atlantic) and Sean Paul and there is a bit of Dance-Hall Reggae tang on his monstrous summer hit "Turn Me On," he is not to be grouped in the same genre. Lyttle actually refers to his music as Soca (Soul Calypso) and is smoother and more soulful than the reggae troubadours his is often linked too.
Though his sound is a nice change form the aggressiveness of D.H. Reggae, it sounds akin the Caribbean bets of Inner Circle ("Sweat") than a really new sound (as Atlantic would like us to believe it is). A cover of Terrance Trent Darby's "Sign Your Name" was a great idea as Darby was the one true - yet overlooked - soul-ster of the late 80's.
Coldplay– X and Y
Written by Stephen Sennett
Tuesday, 19 July 2005
By listening to the first track off X&Y, it is extremely apparent that this record is more sonically dense than their last masterpiece. While it would be extremely untrue to call X&Y “experimental”, I do like to think that there is a bit of change that has led to a fresh sound. From the first listen it becomes obvious that “Fix You”, “White Shadows”, “Low” and “Twisted Logic” would soon to become fan favorites. There is a hidden track titles, “Til Kingdom Comes” and it was written for the late Johnny Cash. Look for Coldplay on tour as they roll into Hartford on August 4th.
Tuesday, 19 July 2005
By listening to the first track off X&Y, it is extremely apparent that this record is more sonically dense than their last masterpiece. While it would be extremely untrue to call X&Y “experimental”, I do like to think that there is a bit of change that has led to a fresh sound. From the first listen it becomes obvious that “Fix You”, “White Shadows”, “Low” and “Twisted Logic” would soon to become fan favorites. There is a hidden track titles, “Til Kingdom Comes” and it was written for the late Johnny Cash. Look for Coldplay on tour as they roll into Hartford on August 4th.
Motion City Soundtrack – Commit This to Memory
Written by Stephen Sennett
Tuesday, 19 July 2005
Motion City Soundtrack is straight out of the Minneapolis and took the Indie Scene by storm back in 2003 with their debut, “I Am the Movie”. This follow up album proves their worthiness and deserves all the praise which it has come to find. It is a masterpiece of pop harmonies and layered choruses that strive to be imitated by listeners. The album is extremely tight and flows quite nicely. Their single “Everything is Alright” is receiving a lot of attention, but should not be known as the only high point of the album, track 4, “Resolution” is also a very well done jam that should be checked out. Look for these guys on the Vans Warped Tour which is currently on a nationwide tour.
Tuesday, 19 July 2005
Motion City Soundtrack is straight out of the Minneapolis and took the Indie Scene by storm back in 2003 with their debut, “I Am the Movie”. This follow up album proves their worthiness and deserves all the praise which it has come to find. It is a masterpiece of pop harmonies and layered choruses that strive to be imitated by listeners. The album is extremely tight and flows quite nicely. Their single “Everything is Alright” is receiving a lot of attention, but should not be known as the only high point of the album, track 4, “Resolution” is also a very well done jam that should be checked out. Look for these guys on the Vans Warped Tour which is currently on a nationwide tour.
The Machine: A Pink Floyd Tribute Band
Written by Stephen Sennett
Tuesday, 19 July 2005
The machine was dead on Saturday night at Toads Place. The NYC based premier Pink Floyd cover band played a 3 hour all request set covering tunes from every era and album of Pink Floyds history. Not only did they perform fan favorites which were determined by an online vote, they did them with extreme accuracy. Personally I consider myself a pretty dedicated Pink Floyd fan, not that I am trying to blow smoke up my ass, had I wanted that done I’d be outside with a short length of hose and a cigarette. That aside, listening to the Machine play “Time” gave me shivers and a glimpse into a life and a show that I would never be able to see. While in the past I have proclaimed I was not huge into tribute bands, my sentiments have changed drastically after seeing this show. The intense energy of the diverse crowd showed me exactly how many people and how many different types of people the Floyds music has touched. As you may or may not know Pink Floyd reunited for a Live 8 Show in London earlier this month. Does this mean a possible tour? I can only pray that is true, but until then, I recommend checking out The Machine for your Floyd Fix.
Tuesday, 19 July 2005
The machine was dead on Saturday night at Toads Place. The NYC based premier Pink Floyd cover band played a 3 hour all request set covering tunes from every era and album of Pink Floyds history. Not only did they perform fan favorites which were determined by an online vote, they did them with extreme accuracy. Personally I consider myself a pretty dedicated Pink Floyd fan, not that I am trying to blow smoke up my ass, had I wanted that done I’d be outside with a short length of hose and a cigarette. That aside, listening to the Machine play “Time” gave me shivers and a glimpse into a life and a show that I would never be able to see. While in the past I have proclaimed I was not huge into tribute bands, my sentiments have changed drastically after seeing this show. The intense energy of the diverse crowd showed me exactly how many people and how many different types of people the Floyds music has touched. As you may or may not know Pink Floyd reunited for a Live 8 Show in London earlier this month. Does this mean a possible tour? I can only pray that is true, but until then, I recommend checking out The Machine for your Floyd Fix.
Wednesday, July 16, 2008
Welcome
Welcome to the WVOF music review blog. Here at VOF we get tons of new CDs every week and we are devoted to giving you the scoop on whats new in the music world. If you are interested in listening to new music and writing reviews for the blog contact our music director Meredith at WVOFmusic2@gmail.com.
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